About Us

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A world of possibility

We create powerful performances that celebrate our vast potential as humans. Exploring a vibrant mix of circus, dance, theatre, and music, we tell meaningful stories that question the value of our bodies and give a voice to those who are often silenced.

Extraordinary Bodies is a vital collaboration between show-makers, Cirque Bijou, and Diverse City, a charity that champions diversity and equity in the performing arts. Collectively, we create a unique and magical space where diverse bodies are embraced, boundaries are broken, and inclusivity is championed. Bringing together the skill and talent of D/deaf, disabled, and non-disabled artists, our work is testament to how diverse, extraordinary people can work equally together on and off stage.

We empower the next generation of performers through Extraordinary Bodies Young Artists. Our flagship performing arts training company for disabled and non-disabled 16- to 30-year-olds makes experimental, and thought-provoking work, which is performed across the UK.

Powered by passion and purpose, we rely on the support of public funding, charitable giving* and trusts, and foundations. Every show is made possible by people who share our belief in inspiring a fairer and more inclusive world.

Extraordinary Bodies. Circus for Every Body.

* Administered by charity, Diverse City.

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Who we are

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Extraordinary Bodies is a company of artistic activists. This collaboration between colleagues from Cirque Bijou and Diverse City brings together an exciting array of creative minds, artists, theatre practitioners, musicians, writers and crew. Click on the people below to find out more.

Headshot of Billy: a tall, slim, white man in his fifties with curly hair.
Billy Alwen
Co-Artistic Director

Billy Alwen

Billy Alwen is co-founder and Artistic Director of Cirque Bijou, an experienced creator of outdoor spectacle, circus and street theatre since 1999. He started his circus life as an aerialist, performing all over the world, in tents in fields, parks and city centres, forming Cirque Bijou in 1999 with Julian Bracey. Since then Cirque Bijou have made thousands of shows across the globe for audiences of 50 to 50,000. In 2012 they collaborated with the Desperate Men and Diverse City to make Battle for the Winds and Breathe which launched the London 2012 Olympic Sailing events in Weymouth. It was a true epic, with 52 shows in 7 UK counties – with thousands of artists and hundreds of thousands of audience members. Significantly it bought Cirque Bijou into partnership with Diverse City. A year later the first Extraordinary Bodies show, Weighting, was made in only 10 days, with an exceptional company of disabled and non-disabled artists. Since that first commission in 2013 Extraordinary Bodies has made three more shows, co Directed by Billy and Claire, What Am I worth, Splash and Human.

In 2020 Billy created a new large-scale outdoor show that became the centerpiece of the Taiwan National Lantern Festival, which performed to 140,000 people over 16 nights. Billy is currently a board member of the Bristol City Culture Board and the Dorset Outdoor Arts Fund.
Headshot of Billy: a tall, slim, white man in his fifties with curly hair.
Headshot of Claire: a fifty year old white woman with shoulder-length brown hair, a pierced nose and pierced ears, green eyes, a rosy complexion, a big smile, and her own teeth (so far).
Claire Hodgson
Co-Artistic Director

Claire Hodgson

Claire Hodgson is a theatre/dance director and artist. Claire is founder and Chief Executive of Diverse City. In 2012 Diverse City created Breathe an international project between Brazil and Dorset that brought together 64 young disabled people to perform at the opening celebrations of the Olympic sailing events, to an audience of 10,000. After the Olympics Claire co-created Extraordinary Bodies with Billy Alwen, Cirque Bijou. Claire was a Clore Fellow in 2012 and writes for The Guardian online. She is the former head of Performing Arts at London Metropolitan University and was awarded an MBE in the New Year’s Honours list 2016 for services to inclusion in the performing arts. Together with Jamie Beddard, Claire won the Clore Duffield 50th Anniversary prize, which was used to tour Extraordinary Bodies Weighting across the UK.

“From the beginning Billy and I said that Extraordinary Bodies should be radical, joyous and bold. I remember these words and try to put them into action. I want to change who is seen and to include all people in artistic work onstage and in the audience. I learn from this project everyday it stretches my mind and humbles me. I meet incredible people through our participatory work and work with amazing performers and collaborators. We are changing a corner of the world and the ripples from this work go far. I learn more about being a human and the power of empathy. This is the work I always wanted to be doing.”
Headshot of Claire: a fifty year old white woman with shoulder-length brown hair, a pierced nose and pierced ears, green eyes, a rosy complexion, a big smile, and her own teeth (so far).
Jamie Beddard
Lead Artist

Jamie Beddard

As well as being one of the Lead Artists, Jamie Beddard is also part of the creative team behind Extraordinary Bodies. Jamie has Cerebral Palsy, and having grown up in a time when opportunities for disabled people in the arts were limited, he was lucky to be offered an acting role by the BBC which kicked off his professional career. Since then Jamie has taken the arts world by storm. In 2011 he left his role as Diversity Officer for the Arts Council to concentrate on developing his freelance portfolio. He has been an associate director for Graeae Theatre company, co-editor of ‘Disability Arts in London’ magazine, in 2012 he directed ‘Breathe/Battle for the Winds’ for the opening ceremony celebrating the Olympic Sailing, and in 2013 he became a Clore Fellow. He is now Co-Director of Diverse City, Agent for Change at The New Wolsey Theatre, and has recently starred in ‘The Threepenny Opera’ at National Theatre (Rufus Norris, 2016) and ‘Messiah’ at Bristol Old Vic (Tom Morris, 2017).

Jamie acts as an advocate for the integrated sector, working tirelessly for change. He holds Extraordinary Bodies close to his heart because the project brings communities together and creates unlikely connections between people. Jamie believes that in this current climate of austerity, which is particularly affecting disabled people, it’s these partnerships that hold the key to a brighter future.

“At the grand old age of 48, I unexpectedly ran away to the circus. A new world opened up; new challenges, aesthetics, collaborators and creative expressionism. We are changing the sector explicitly, and the wider community and world, implicitly.”

Becky Chapman
Becky Chapman
Executive Director, Diverse City

Becky Chapman

Becky is a producer, fundraiser, facilitator and theatre director, and the Executive Director for Diverse City. Her role, working alongside Cirque Bijou, is to manage and develop the partnership between the two companies. As part of this role she helps to create new funding streams and investment opportunities for Extraordinary Bodies to increase capacity and longevity.

“Outdoor performance is the most democratic and accessible cultural experience there is, and Extraordinary Bodies is opening up universal opportunities for artists. The shows help us all to see the world in a new light and with that comes the motivation to activate change.”
Becky Chapman
Alexa Ledecky
Marketing Manager

Alexa Ledecky

After growing up in France with an English mother and a Czech father, studying in Scotland and traveling in South America, Alexa landed in Bristol to get involved in the city’s busy cultural scene. She started working as Content Creator for Diverse City, one of our mother companies, in 2018. Since then, she’s grown into become the Marketing Manager for Extraordinary Bodies. Outside of this role, she is a freelancer working with both independent artists and companies. Her most recent work includes production for Rising Arts Agency and audio description for Uchenna Dance.
www.alexaledecky.com

Binita is a middle-aged Indian woman with bobbed black hair and a fringe. She wears brown rectangular glasses, red lipstick and wears black a lot.
Binita Walia
PR Consultant

Binita Walia

Passionate about the arts, Binita spent the first 20 years of her career being a visual artist making glass works that can be seen in buildings around the country. After the recession ended her glass career, Binita worked in marketing and communications for theatre and festivals. Since 2016, Binita has been a freelance specialist in Public Relations and works for some of the most exciting arts and culture companies in the UK. 

“I love working with companies who innovate in their field and make the arts accessible to all and that’s exactly what Extraordinary Bodies is doing. My role is to elevate the voices and work of the team and the shows so that more people know about their incredible work.”

Binita is a middle-aged Indian woman with bobbed black hair and a fringe. She wears brown rectangular glasses, red lipstick and wears black a lot.
David Ellington
Access Consultant

David Ellington

David Ellington is profoundly deaf and a British Sign language (BSL) user. David discovered his talent for acting in 1997 when he performed as part of the Deaf Festival at the Swan Theatre. Consequently he landed a presenting job with BBC Education, which helped him to pursue his career in television, film and theatre. Since then, David has enjoyed being involved in numerous acting and experimental film-making projects. He has been part of multiple productions with Graeae, he won Best Actor for DEF in the Deaf Oscars, and he was also part of the London 2012 Paralympic Opening Ceremony. In the summer of 2016, David landed a ground breaking in-vision signer role on TV trailer We’re The Superhuman – the Road to Rio and on a Channel 4 Paralympic TV commercial.

David loves to pursue a challenge and this is how he discovered his love for aerial work. Despite his deafness he is compelled by the demands and complexities of aerial work, and has grown to love the art form. David recognises the need to act as a role model in order to encourage young Deaf people to get involved in the creative industries and believes that being part of Extraordinary Bodies will help spread his message far and wide.

“Despite my deafness I have no boundaries, there is nowhere I can’t go, and Extraordinary Bodies recognises and encourages that. I am able to explore and work with other people in ways I never have before. We are paving the way, discovering new forms, and overcoming new challenges every day. I hope that young Deaf and disabled people can look up to us, and follow our example in order to achieve their own goals.”

Eilis Davis, smiling to camera - Eilis has long, wavy, dark brown hair tied up. A gentle smile, lots of freckles and deep blue eyes.
Eilís Davis
Artistic Director for Extraordinary Bodies Young Artists, Participation Director and Audio Describer

Eilís Davis

Eilís is a facilitator, director and theatre maker. She is an inclusive movement specialist bringing together people of all abilities to participate in creative processes. Eilís graduated from the European Theatre Arts programme at Rose Bruford College in 2011. She now combines theatre with her extensive knowledge in creative support and is focused on developing theatre-training practice for young people with access needs.

Eilís is the Artistic Director of Diverse City’s youth company, Extraordinary Bodies Young Artists.

“To me Extraordinary Bodies is a movement that brings people together to explore the world and the lived human experience. In a time where it feels like we are being told to be scared of people who are different from ourselves: Extraordinary Bodies tells us to dive right in to those meetings, explore what we find and take risks.

I find this in our participation work and the amazing individuals I have encountered along this journey we are on, people I could never have met otherwise: Amazing, Brave and fiercely kind individuals. I love it because it’s an act of resistance. It’s magical and mighty. It embodies what the world should look like – communities coming together, new stories being heard and unlikely people centre stage. I love it because whilst we are at it, we invite the rest of the world to watch us, in this act of change.”

Eilis Davis, smiling to camera - Eilis has long, wavy, dark brown hair tied up. A gentle smile, lots of freckles and deep blue eyes.
Geraldine Giddings
Geraldine Giddings
Senior Producer, Cirque Bijou

Geraldine Giddings

Geraldine is one of Cirque Bijou’s senior producers and her role in Extraordinary Bodies includes work on PR and marketing, strategy, fundraising, and production.
“Circus is immediate, visceral, and highly accessible. It is a bewitchingly malleable and composite art form. This extraordinary partnership, together with its brilliant team and forward-thinking partners and supporters, have the opportunity to reshape and renew circus as an art form in order to ensure it reflects the society we see around us, and the world we want for our future.”
Geraldine Giddings
Hattie: a white woman in her fifties with long blonde hair and a fringe, thick black secretary-style glasses and a colourful shirt. She smiles brightly.
Hattie Naylor
Writer

Hattie Naylor

Hattie Naylor is an award winning dramatist, and writer of Extraordinary Bodies’ 2015-16 tour of Weighting. Other credits include Ivan And The Dogs, The Night Watch, Going Dark, As the Crow Flies, and Bluebeard. Ivan and the Dogs (Soho Theatre and ATC) was nominated in the Olivier Awards for Outstanding Achievement in Theatre, won the Tinniswood Award in 2010, and has been internationally acclaimed. Her work as a librettist includes Picard in Space with Will Gregory (Goldfrapp) directed by Jude Kelly, for the Electronica Festival at the Southbank 2012. She has also written extensively for BBC Radio 4 and teaches scriptwriting and Sheffield Hallam University.

Hattie is working with Extraordinary Bodies on What am I Worth  in 2017 and other current projects include Yana and the Yeti with Pickled Image and As the Crow Flies Pentabus and Salisbury Playhouse.

“Extraordinary Bodies sits across the disciplines of theatre and circus, combining music and movement and text. The work therefore challenges and breaks form and traditional notions of performance whilst maintaining a fundamental principle of accessibility. The challenge of creating such expansive work within a company that recognises and incorporates voices frequently silenced and artists that are individually challenged in areas of disability is truly awe-inspiring.

Hattie: a white woman in her fifties with long blonde hair and a fringe, thick black secretary-style glasses and a colourful shirt. She smiles brightly.
John Kelly
Company member

John Kelly

John is a self taught musician and singer / songwriter. He has worked with Graeae Theatre Company for six years, performed as part of the Paralympic Opening Ceremony and worked all over the UK and internationally as an artist, vocalist, workshop leader and performer. He also performs regularly with friends in the band Rockinpaddy.

John is proud to be a Disability and Human Rights Campaigner and has been most fighting for rights to Independent Living. On top of all that he is also a youth worker and a qualified facilitator who works with many different organisations to develop creative & inclusive practice. John narrates and plays the keys in the Extraordinary Bodies Weighting show. He finds working with Extraordinary Bodies exciting, challenging, different artistically and socially, and even a bit scary now and then, but says, ‘It feels right in my heart.’.

“Creativity, performance, music, circus (whatever form of expression I / we use) has a critical role in my life, and I’m proud to be part of the Extraordinary Bodies team doing this work. Firstly to explore, unpack, make sense, articulate and celebrate who I am. Then I can share my experience as a narrative, a story, to engage, have a voice, be heard, challenge, make links, collaborate, resonate with others. Then we collectively make a response, united, stronger, defiant, loud & proud, with real shared & lived values based on our experiences together,  we celebrate inclusively, equally and ultimately that it brings real change in our divided society that continues to build disabling barriers, discriminates and oppresses difference… Its time to knock these barriers down with louder songs, bigger performances, humour, fun, energy and genuine passion to go along a shared journey where we are all valued as human beings with all rights respected and alive!” 

 

Nicole A’Court-Stuart
Lead Producer for Delicate

Nicole A’Court-Stuart

Nicole is a producer with Extraordinary Bodies, leading on our new studio show Delicate, which will premier and tour in Autumn 2022.

Drawing on her roots in circus and her experiences as an activist, academic and visual artist, Nicole is passionate about creating provocative and spectacular interdisciplinary live performances that use physical practices to explore diverse contemporary experience.

Alongside her work with Extraordinary Bodies, Nicole is Senior Creative Producer at Circus City Festival and Executive Director of Contraproject, producing the work of circusnext laureate Laura Murphy. As a freelance producer she often collaborates with fellow queer and neurodivergent artists, through creative consultancy, fundraising and artist support and development

Gemma Alldred
Connecting Communities Project Lead

Gemma Alldred

Karina Jones
Access Consultant

Karina Jones

Karina Jones is an actor and aerial artist. At age 13 Karina became disabled through a degenerative sight condition, but she didn’t let that discourage her. Karina studied Acting at university, followed by an MA in Voice Studies from Central. In 2012, she answered a call out for disabled artists to perform at the Paralympic Opening Ceremonies. She took part in an intensive training course for circus and aerial work, at Circus Centre London, where her passion for circus was realised. From here Karina continued her training at the Green Top Circus in Sheffield, and joined the Extraordinary Bodies team for our premiere of Weighting in 2013, she described the elation and freedom of swinging on an aerial hoop high in the air as one of her biggest achievements.

Karina has since worked with Extraordinary Bodies on UK and International projects, including our recent residency in Australia with Circus Oz. She is currently working with us on our Creative Exploration residencies across the UK, questioning What am I worth?.

“I love working with Extraordinary Bodies for lots of reasons, but the main reason being the company’s policy on social justice. 20% of people in the UK are disabled and this is always fully represented in the work that Extraordinary Bodies does. I can teach an aerial class or be in a show and it isn’t unusual at all. I love the opportunities Extraordinary Bodies has given me to further my aerial ability, and most of all it’s a lot of fun!’

Headshot of Kate, a white woman with long blonde hair and blue eyes. She wears a large necklace made with colourful beads and hung of a thin golden chain, and a sparkly black top.
Kate McStraw
Producer

Kate McStraw

Kate is a Producer & Agent for Change with Extraordinary Bodies. She is currently producing our new show in development ‘Human’, which will tour from Autumn 2021.

Kate’s journey with the company began in 2012 whilst she was graduating from her degree in Performance Design at the Arts University Bournemouth. She managed the design and creation of 80+ costumes in a large-scale community performance called ‘Breath’ on Weymouth Beach, which was part of the opening celebrations of the Olympic Sailing events.

Outside of her work with Extraordinary Bodies, Kate is a freelance creative producer working with a number of other brilliant and status quo challenging artists and artist-led companies. These include Viv Gordon Company, Anna Berry and Green Ginger. She has also collaborated with Strike A Light, Inside Out Dorset Festival, Made by Katie Green, Cohan Collective and Butterfly Theatre Company.

Kate is particularly passionate about removing barriers to arts and cultural activities, through supporting diverse artists and audiences.

Headshot of Kate, a white woman with long blonde hair and blue eyes. She wears a large necklace made with colourful beads and hung of a thin golden chain, and a sparkly black top.
Jodie Cole
Co-evaluation producer

Jodie Cole

Fiona Buffham
Tour Booker

Fiona Buffham

Fiona has worked in the theatre industry in a variety of roles since 2009, predominantly as a tour booker and venue programmer.

From 2014-2017 she worked as a Regional Programmer for ATG, programming a diverse range of work into ATG’s 22 venues around the UK, from rock and roll and comedy gigs to opera and classical concerts.

Fiona relocated to Edinburgh in 2017 and was appointed Bookings Coordinator at general management and tour booking agency Great Leap Forward. In this role she coordinated national and international tours for a range of clients including Matthew Bourne’s New Adventures, the National Theatre, Selladoor Worldwide and Sadler’s Wells.

In 2020, Fiona began offering producing, programming and tour booking services on a freelance basis to clients in both the commercial and subsidised sectors. She is currently engaged as part-time Producer for All or Nothing Aerial Dance Theatre, Associate Touring Producer for 1DegreeEast working with clients including Ballo Arthur Pita and Told By An idiot, as Freelance Tour Booker for Extraordinary Bodies, and as freelance Programming Consultant for CentreStage Theatre, a new mid-scale performing arts venue in Ayrshire.

Roz Stewart-Hall
Evaluation Consultant

Roz Stewart-Hall

Dr Roz Hall is a nationally recognised researcher and evaluator who has worked in the field of socially engaged arts practice since 1991. Her PhD, entitled, ‘Practising Inclusivity with New Media: Young People, Digital Technology and Democratic Cultural Participation’ led her to use a ‘process-generated’ approach to evaluation. Roz works for an extensive and varied range of national and international arts organisations, developing and using creative approaches to evaluation and embedding ongoing reflection into practice. Roz has worked with Cirque Bijou since 2011 and has subsequently worked with Diverse City and Extraordinary Bodies to support and develop relevant creative and reflective evaluation processes for all involved.

“As a firm believer in everyone’s right to culturally participate, as producers as well as consumers of culture, I value the amazing contribution Extraordinary Bodies is making to contemporary outdoor arts and the wider arts sector. Everyone involved has high expectations and ambitions, which they consistently refuse to compromise, ensuring world class productions. This challenges the assumptions that many people make about inclusive arts, by proving that quality and equality are perfect bedfellows.” 

Jess Edney
Creative Access Lead for Connecting Communities and Creative Support Worker for Extraordinary Bodies Young Artists

Jess Edney

Jess joined the company in 2018 as a Creative Support Worker with
Extraordinary Bodies Young Artists (EBYA). She has worked extensively in SEN schools specialising in therapy support and wellbeing for young people. She is a qualified Children and Special yoga teacher working in school and community settings. Jess is also the Creative Access lead with the Connecting Communities and Unexpected Leaders project, working closely with Gemma Alldred our Co-Evaluation Producer. She is looking forward to supporting people whilst developing the vital role of access workers in the cultural sector.

Saul Baum
Rigger

Saul Baum

Saul has been interested in circus since childhood, when No Fit State Circus would come to Narberth, Wales where he grew up. This inspired him to run away with the circus, and soon he was training in performance and rigging with No Fit State, eventually become head rigger for the company. He first worked with Extraordinary Bodies in 2015 as part of Weighting.

“Having worked for over 13 years in the circus world, it’s a challenging pleasure to work with Extraordinary Bodies on their ground breaking style of circus. They have full inclusion in the company, regardless of physical make up or disability, which is why their work is so important. They really are pioneering the way, showcasing UK circus in a new light for everybody.”

Eva H. Lee
Marketing Co-ordinator

Eva H. Lee

Eva is a South Korean interdisciplinary artist and administrator based in London. She was born in Spain, raised in Brazil, educated in Beijing, and now lives in the UK.

A performer, painter and theatre-maker, she explores her work through care and the influence of her nomadic life.

As well as being part of the Extraordinary Bodies team as Marketing Assistant, she is a co-founder of ANTS Theatre: an experimental theatre company excelling at pointed pointlessness.

Ted Barnes
Co-Musical Director

Ted Barnes

Ted is co-composer as well of one of the musicians for Extraordinary Bodies’ first show, Weighting, and is working with Dom to lead the development of the music for our second show What am I Worth?

The multi-instrumentalist, composer and performer best known for his work with Beth Orton has also formed the band Clayhill and released three solo albums. Ted now writes for film, theatre, circus, dance, art installations, music library, whilst still continuing to work with songwriters. For Ted, being part of Extraordinary Bodies from the beginning has been exciting on many levels. Working alongside Dom, they have found a way of fusing their two worlds of musical language together and they have also been very much part of the development of Weighting using the musical language to guide the show in different directions.

“I had never worked with disabled performers before Extraordinary Bodies, it’s a joy to be part of a company whose manifesto is so integrated and groundbreaking.”